ComicsAlliance: I’m a fan of Dick Grayson, but I grew up in the ’90s, so my attachment to him is mostly from the Chuck Dixon/Scott McDaniel Nightwing series, rather than being a fan of him as Robin or a member of the Teen Titans. I always thought of him as a solo hero, this guy who was a cop by day, which was an interesting twist. Because of that, I think of him as this adaptable character who’s had all kinds of different roles, from sidekick to team leader to becoming Batman himself and secretly owning a circus. But getting into the espionage game, that’s a new approach. How did it come about?
Tim Seeley: As far as how they made the decision for the end of Forever Evil and Nightwing, that was before my time. I basically just one day got an e-mail that said “What would you do with Dick Grayson as a secret agent for something? We don’t know what, we just think he might work really well in some kind of spy genre thing, where his name is the title of the book, it’s not about secret identities.” I didn’t really think I had any ideas for it, so I sat on it for a few days, but then I was thinking about Spyral.
I loved Morrison’s Batman Inc. stuff, all the Batman stuff by Morrison was great. I was thinking about how he’d throw out a hundred ideas an issue, and maybe not even follow up on five of them. I knew he was doing a book with Burnham over at Image, and thought “Well, Grant’s not going to use Spyral. He’s done with that.” It occurred to me that if Dick was going to be a spy for something, it would be such a shame to waste Spyral, which was so full of unlimited potential. It already had this tie to the Bat-verse, it had great visuals, it has this “Are they good guys or bad guys?” thing. They were founded by a Nazi scientist, but they seem to be working for the side of good, we know they hire superheroes because they hired the Hood — all these things hit me, like “Why don’t we use these for Grayson?”